1,162 Royalty-Free Audio Tracks for "Chromatic Musical Scales"

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

Aeolian scale of C

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Thirteenth chord CMA13(sharp11).

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

An arpeggio.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

Rule of the octave, major scale.

Diatonic scale on C, staccatissimo articulation.

Janacek Sinfonietta 2nd movement, opening bars

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

Slendro vs whole tone scale on C

Diatonic scale on C, tenuto articulation.

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

Diminished seventh chord's use in modulation.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

833 cents scale on C. MIDI pitch bend matches intervals.

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Lydian dominant scale on C.

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Minor major seventh chord on C.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Scale of the fingering chart for the tabor pipe.

Parrallelism in music (example).

Nono- Il Canto sospeso all-interval series, as Midi

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

10-tet scale on C. MIDI pitch bend matches intervals.

Scale of the Locrian mode starting on C [ogg vorbis sound file]

Scale of the Aolian mode starting on C

Scale of the Phrygian mode starting on C [ogg vorbis sound file]

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules: